I also noticed the lighting hitting the character's faces. The board they are looking at is a board that tells the future and helps Anderton catch crimes before they are committed. It could be argued that this is a board of enlightenment, hence, the characters are physically brighter as they are obtaining more and more knowledge. The light is also casted down on the characters, coming from above them. Anderton's arms cast a shadow over the other two characters as well as himself with the gloves to show that he is above the other two men are usually in his shadow. Anderton clearly is used to running the show at PreCrime.
This shot is a medium close-up shot of all three characters. Not much of the background is shown, it is plain, suggesting that the director wants us to strictly focus on the characters in the scene, not what is going on behind them. In fact, because of the lighting and the type of shot it is, our eyes are drawn to Anderton first and then fall to the rest of the characters in a line, following the rule of thirds. We learned in class that we often read shots like we read English, from left to right, that is why our eyes are immediately drawn to Anderton.
One specific prop that catches my eye is Anderton's gloves. The little lights on the tips of the his fingers draw my eye immediately. People are drawn to looking at light, especially fine points of it in a big picture.
This is another picture of Anderton, with him on the left showing that he is again depicted at the hero on the heroic side of the frame, following the left, vertical line of the rule of thirds.
